‘Disconnect: The Wedding Planner’ Review: A Sequel That’s Twice as Beautiful and Twice as Disconnected
Sacrificing plot for beauty, 'Disconnect 2' chooses to simple not care for story at all.
Sacrificing plot for beauty, 'Disconnect 2' chooses to simple not care for story at all.
Even with all the raw materials for a powerful emotional story, 'Christmas Love' feels underwhelming.
'A Familiar Christmas' is simple enough to allow a family to glide in and out in the middle of watching it instead of worrying about the plot.
'No Simple Way Home' feels like what happens when true filmmakers seek out genuine stories and end up finding them rather easily close to home.
'Villains in the Metropolis' is a crime thriller by definition only as it largely fails to grasp the genre in its entire concept.
'Terastorm' doesn’t feel ready for a release, let alone as Kenya's submission for Best International Feature to the 95th edition of the Oscar.
'Nafsi' starts off as a truly warm story about friendship before it evolves into a dark tale of double cross without feeling like two movies.
Every second of the film feels woven with a care and tenderness that exalts it as a phenomenal piece of visual art.
The constant overbearing and jamming down the entire film with many half-baked themes, gives it a very watered down feel.
A few quirky moments here and there, a few interesting shots, but ultimately 'Look Both Ways' is a very tame and harmless film.