Just 'Hamlet' set in Kenya, sprinkled in with the reliable trope of twentieth century African pseudo-activism.

'Married to Work' is the latest Pan-African title on Netflix that leaves your memory as quickly as it enters it.

Somehow, despite the clear degeneration of plot, 'Mpakani' manages to hold ones interest vaguely to the very end.

Blood & Water and Far From Home both bear similarities to the Spanish hit Elite. But who did it better?

It wasn't a very complex premise they were working with, and the show's laziness attempted to make it even less complex.

Much progress is needed, and with the new categories, much progress has clearly been made.

'Nafsi' starts off as a truly warm story about friendship before it evolves into a dark tale of double cross without feeling like two movies.

Every single stage of this production seems to have been confused, or rushing it, or doing it for the money.

The cast do their best with that they're offered, which just happens to be oftentimes, not good enough.

'Nairobi Half Life' is our omega, our first nuclear explosion of cinematic expression, and a distinctly Kenyan addition to the crime genre.